Redemption had an excellent three album streak that placed the band in a cozy place among progressive metal fans. Their music was heavy and grandiose with introspective lyrics. The Redemption sound the brainchild of Nick van Dyk, who happens to be a central figure in the 1990s boom in independent film distribution, but today he is a Senior Executive for Disney. Prior to the band’s Snowfall on Judgement Day, van Dyk had announced to that he had fallen ill to a rare case of blood cancer with a negative prognosis. Two years later, van Dyk is still a Disney executive and Redemption has released This Mortal Coil, and aptly named album that thematically chronicles the struggles of van Dyk’s illness.
Redemption build a sound and brand that relied on progressive metal elements and put them in an accessible package. The band could do no wrong until Snowfall showed no signs of growth and was essentially more of the same; heavy riffs, pitch-perfect guitar and keyboard solos, rapid-fire snare rolls. The album became pastiche of the Redemption style. This Mortal Coil suffers from much of the similar issues that Snowfall had. Too much of the same has placed the album into a repetitious nature that seems to coil into itself. The songs no longer standout individually, instead they feel as if the band has fallen into a formula of producing songs that sound too homogenized.